He lives in a harsh situation.Īdapted from the novel "Sarangui Ihae" (사랑의 이해) by Lee Hyuk Jin (이혁진).
He has a personality that drives him do his best in everything. Jung Jong Hyun is studying for an exam to become a police officer. She enters a relationship that doesn't go as she wishes. When she has someone that she likes, she makes that person join her side no matter what. She is self-assertive and quite open about her feelings. She started off as a part-time teller and is now a fourth-year chief, but she seems to be forever stuck at that level. Known as the goddess of Yeongpo branch, she possesses gorgeous looks and a sweet voice. He entered his job as the top employee from Nara Bank’s training center, so he is very popular but also the source of envy for many others.Īhn Soo Young is a fourth-year chief bank teller at Nara Bank’s Yeongpo branch. Not to mention, he has an athletic form fit for a national athlete rather than a bank employee. Although he is an upright character, Ha Sang Soo is not cold or too formal but rather warmhearted with a humorous side.
Ha Sang Soo has had this position for three years already, and he is a handsome, intelligent, and sturdy person who will not waver in the face of life’s difficulties. Ha Sang Soo, the senior head of the comprehensive consultation team at Nara Bank’s Yeongpo branch. The story focuses on the scandalous office romance between the characters Ha Sang Soo, Ahn Soo Young, Park Mi Kyung, and Jung Jong Hyun. It makes for an important exploration of a deeply patriarchal society that is only beginning to heal the collective traumas of a complicated war, and how its violence continues to ripple through time and into domestic life.Takes place at Nara Bank’s Yeongpo branch, which is celebrating the 99th anniversary of its foundation. Kastrati’s family drama has elements of horror, but the real terror here is psychological. But slowly, she starts to unravel-and with her undoing comes the reveal of the war that traumatized her. Lume appears largely apathetic, at least outwardly. The former suggests Lume may be cursed, while the latter insists she is possessed by a supernatural creature called a jinn.
When conventional medical advice does not yield a viable pregnancy, Lume is brought to a witch doctor, and later a televangelist. Part of Lume’s routine also includes visits to the doctor, accompanied by her mother-in-law and husband, who pressure her to conceive. Antoneta Kastrati’s debut feature film Zana follows Lume, who appears guarded and subdued as she goes about her daily routine: milking the cows, harvesting crops and flowers, hanging laundry out to dry.
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